I have been dying to write on Bond since the time news came of it being released soon. I am a big Bond fan, having lapped up most of his films (yes, even Octopussy and Man with the Golden Gun). So you can imagine my frustration on not finding the time to write for all this time thanks to exams, what with all the papers running reels and reels on him. The problem with writing a blog so late obviously is that there’s very little left unsaid (specially with Vir Sanghvi writing 3 pages on him in Brunch). Ian Fleming, Bonds history and origin, Bond girls, Bond villains, Bond drinks, Bond scenes, almost everythings been covered in detail. So I’ll write instead on what I like most in Bond films. So, here goes…
My first Bond movie was The world is not enough. Saw it after 10th exams. Was completely bowled over. Pierce Brosnan was just what I imagined Bond to be like, suave, sophisticated and a great womaniser. Elektra King was definitely the hottest Bond girl I have seen till date. And the action was outstanding and yet so believable with Bond doing it. Followed it up soon with Tomorrow never dies with that brilliant car sequence and a fantastic villain in Jonathan Pryce, who plays a media magnate. And I knew I was hooked up forever.
Have watched quite a few films since then, and although many have been rather mediocre (read Roger Moore), I have remained a loyal fan. The current film Casino Royale of course reinforces the faith firmly, and more than that, promises a lot more in the future (more on that later).
I won’t write much on Bond himself per se ‘cos too much has been already written; instead I’ll write on what I await the most in Bond films. Now, once you have seen your first Bond film, the next cannot have the same impact ever again. Because now you are no longer overwhelmed by Bond himself. Neither are Bond girls as hot or hyped as they used to be. Its usually the villain who I look forward to the most. Two aspects of the villain more specifically.
Now the villain in a Bond film is mostly a rich powerful suited-booted fellow. Not the type who is a match against Bond one-on-one. But the boss usually has a henchman, specially in the older films. This henchman is a superman of sorts; built like a bull, devoted to his boss like a robot, and usually having a special weapon or style of killing others. This guy seems invulnerable and impossible to beat, with Bond too usually sidewinking him or giving him the slip in most of the film, but never really besting him till the end. This henchman is a Hiranyakashipu of sorts, who can be beaten only in those special circumstances at that special time in that special way. Throughout the film, you keep waiting for that and wondering how the hell will Bond do it. And for me, that is the climax of the film, when Bond meets and beats the henchman in his indomitable manner.
I must of course mention Goldfinger now, for nothing exemplifies what I said more than that film. Its henchman is a Japanese wrestler who uses his steel-rimmed razor sharp hat like a boomerang to kill others. The way Sean Connery kills him in the end is one of the best action sequences ever, and keeps you guessing throughout (I wont reveal it though). Another one is The spy who loved me, who has this giant of a guy with steel teeth, with which he breaks locks as well as necks and bones. Nothing exemplifies the ‘brain over brawns’ funda better than these two fighting (although he doesn’t die in the end; I am praying he stages a comeback soon). Unfortunately, the Roger Moore films usually had really sad henchmen (including a joker cum dwarf who Bond flicks away in the end in a box and locks him in). Brosnan’s were better, specially that Aryan in Tomorrow never dies, who actually makes you start believing what Hitler said about Germans being the superior race. But no where near the old ones.
The second aspect, of course, is the villain himself. Which is where again most of the recent Bonds disappoint. The older villains were pure villains, ie, they were actually evil and cruel. They didn’t kill for money, but because they enjoyed to. They wanted to destroy the world, or to just prove themselves and their superiority as the bad guy, or even to best Bond (man with golden gun). The newer one’s, however, are more of the selfish money-loving types; they don’t kill for the kicks, but for the booty. That takes some sheen away. Jonathan Pryce as the media magnate was a welcome exception though; a megalomaniac who wants to manipulate and control the world through the media.
Who’s the best Bond? Almost everyone votes for Sean Connery. Me too. He was undoubtedly the most suave and stylish Bond. And not entirely humorless either. But I think Brosnan’s as good too. The ease with which he handles all that technology is awesome. He’s just unfortunate that Connery had the better films. An actor can only be as good as the role, after all. You cannot have sequences like Connery vs the Jap wrestler if you have an invisible car and laser beams and all to fight. Which is where the new Bonds lag behind again; there is too much technology and too little of Bond’s improvisation.
The best film? Tough one. I’ll vote for two- Goldfinger and The spy who loved me (for which you can forgive Moore for all the remaining crap he has rendered). Tomorrow never dies is fantastic too, though.
And Casino Royale?! Daniel Craig’s brilliant. A tough, rugged and arrogant Bond, and we love him for that. The opening sequence and the casino mindgames (for those who didn’t play poker inspite of my repeated attempts to induct you, hahaha…) are damn good. Unfortunately, the rest is disappointing. The villain’s really sad, nothing more than a card player. He is not even the boss, killed in the end not by Bond but by another criminal. There is no henchman. Vesper is good; an intelligent Bond girl with some great dialogues with Bond in the first scene. But the development of their romance is not too well edited and seems very patchy. The Bond soundtrack is hardly played (blasphemy). The title track is sad (why do most of them suck is something I can never understand, except for Madonnas Die another day and GNR’s Live and let die, have you heard any other good OST from Bond?). But it’s the action (or the lack of it) which disappoints most. If Die another day had too much of techno, this one has too little (I am hoping the next one will strike the propah balance). There is not even the cursory introduction of any gadgets by that very very English instructor. The fights are all bam-bam, with fists and punches and kicks all around. And Craig lacks the sophistication of Brosnan. But then, considering this is Craigs first film, and that he depicts a Bond who is in the process of becoming James Bond 007, you walk out of the theatre with the words ‘Bond, James Bond’ resounding in your ears and mind and praying for Bond 22 to release soon!
PS: Someone send Dhoom2 to the producers of Bond. They’ll atleast know how Bond girls are supposed to look.